Ładowanie…
Ładowanie…
He fled Rome under a death sentence, arrived in Malta and painted a masterpiece. Then got into another fight and was thrown out. Netflix-ready.
If Caravaggio were alive today, he would be a reality TV star. He fled Rome with a death sentence hanging over him (he killed a man in a brawl — over tennis, money or honour, depending on the source). The Knights of Malta needed a prestigious painter. Caravaggio needed protection. The deal was struck.
Malta received him, made him a Knight, and he painted a masterpiece in return. And then — he picked another fight, ended up in prison, escaped to Sicily, and was officially expelled from the Order as a "foul and putrid member". That phrase is literally in the historical records.
You enter the Oratory of St. John's Co-Cathedral in Valletta, and the room goes quiet. On the wall hangs a vast canvas — over 5 metres wide. The largest painting Caravaggio ever made.
The scene unfolds in darkness. The executioner grips John's head, a servant holds out a bowl, a woman covers her face with her hand. Drama without theatrics. Realism that hurts to look at.
In the same room, much more subdued. An old, focused man at a table with a skull and a quill. Caravaggio in a quieter mode — but the same mastery of light and shadow.
Highlights from Robert Maklowicz's travels
Caravaggio at St John's Co-Cathedral
“Caravaggio uciekał przed wyrokiem śmierci, a na Malcie stworzył dzieło, które przetrwało wieki.”
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